Kavitha Muralidharan – SAWM Sisters https://dev.sawmsisters.com South Asian Women in Media Wed, 13 Mar 2019 08:04:02 +0000 en-US hourly 1 https://wordpress.org/?v=6.5.5 https://dev.sawmsisters.com/wp-content/uploads/2022/08/sawm-logo-circle-bg-100x100.png Kavitha Muralidharan – SAWM Sisters https://dev.sawmsisters.com 32 32 If Stigma Against Sexual-Assault Victims Continues, so Will Cases Like Pollachi https://dev.sawmsisters.com/if-stigma-against-sexual-assault-victims-continues-so-will-cases-like-pollachi/ https://dev.sawmsisters.com/if-stigma-against-sexual-assault-victims-continues-so-will-cases-like-pollachi/#respond Wed, 13 Mar 2019 08:04:02 +0000 https://sawmsisters.com/?p=2181 Chennai: Since Monday morning, Tamil Nadu has been coming to terms with the awful facts of the Pollachi extortion racket – in which young women were allegedly lured to secluded spots and molested, filmed in the process, and later blackmailed for money.   Information about the racket has been circulating for a few weeks, and following […]]]>

Chennai: Since Monday morning, Tamil Nadu has been coming to terms with the awful facts of the Pollachi extortion racket – in which young women were allegedly lured to secluded spots and molested, filmed in the process, and later blackmailed for money.

 

Information about the racket has been circulating for a few weeks, and following a complaint by a college student, police have arrested four men. The student accused the men of sexually assaulting her in a car, taking videos of the assault and threatening to share them if they were not paid.

 

According to her police complaint, the gang threatened to share the video online if she refused their demands of sexual favours and money. She confided in her parents on February 24, after which the family went to the police.

 

Soon after, the woman’s brother was assaulted, allegedly by friends of the accused, and threatened about lodging a complaint. On February 27, the police arrested three of the accused. Thirunavukkarasu, allegedly the leader of the racket, was arrested on March 6.

 

According to informed sources, this network has harassed numerous women over a period of seven years. “One of the men would befriend a woman on social media and lure her to some secluded place, where he would be joined by other friends,” a police official told The Wire. “But only one woman has come forward with a complaint so far.”

 

Possible political connection

 

After widespread appeals on social media,  the four will be charged under the Goondas Act.

 

Coimbatore superintendent of police, R. Pandiyarajan, also spoke to journalists to rule out another matter of speculation on social media – that the racket flourished with political protection. Pandiyarajan himself was caught in a controversy a few years ago, after he slapped a woman protester who was protesting against TASMAC in Tiruppur.

 

V. Jayaraman, deputy speaker and the MLA from Pollachi, met the press to deny that either he or his family was connected to the racket, as had been alleged on social media. Accusing the DMK of spreading lies against him, Jayaraman claimed that he had first brought the issue to light and asked the police to act on it.

 

However, on the same day, the AIADMK expelled A. Nagaraj – a cadre who was indeed allegedly involved. He reportedly led the group that assaulted the complainant’s brother.

 

More than meets the eye

 

The state chapter of the All India Democratic Women’s Association (AIDWA), which held a protest in Pollachi last week, says there is more to the case than meets the eye.

 

“We have come to know that one Karuppasamy, who is allegedly the main culprit, is still at large. The police show no interest in arresting him,” said P. Suganthi, secretary, AIDWA.

 

“There could be others too in the network,” she said. “The government may say otherwise, but we believe the gang could operate for the last seven or eight years only if it had some kind of political influence. This should be thoroughly investigated. It is surprising that the SP rules out any political involvement even before an enquiry.”

 

The women’s rights group has asked for a CB-CID investigation into the issue.

 

The district unit of AIDWA had also demanded that cases of suicide by young women in Pollachi since 2012 be re-examined. Speculation is rife that there were as many as 20 such suicide cases, but A. Radhika, AIDWA’s district president, does not want to make guesses.

 

“There have been many suicides that we have been hearing of for many years now,” she said. “We realise that at least a few of them could be connected to this issue.”

 

Political escalation

 

Meanwhile, the DMK has criticised the ruling party for shielding the “perpetrators of the horrific crime”.

 

DMK president M.K. Stalin declared that his party will continue to protest legally and in public forums. DMK MP Kanimozhi demanded that the government set up a special court “for the exclusive trial of these violent crimes against women”. She said the incident revealed how women in Tamil Nadu continued to be unsafe.

 

Kongu Eshwaran, leader of the Kongunaadu Desiya Munnetra Kazhagam (KMDK), part of the DMK front, says the network is larger than it appears: “This is unprecedented in terms of scale and depth, across the country. Hundreds of women have been affected, but the police are only trying to shield the culprits.”

 

The Pollachi case may be unprecedented in scale, but this is not the first network found to have been targeting women in the state. In Cuddalore, the police busted a racket of at least 16 men trafficking minors for sex. The men, including a church priest, were found guilty by a mahila court and given sentences of four to 30 years.

 

“Even that took enormous struggle,”AIDWA’s Suganthi told The Wire. “The police and the government think it is best to shield such crimes since it bring a bad name to the administration. If only they would spend those energies on getting the culprits punished, the state could be a much better place for women.”

 

Pointing to the Nirmala Devi case, Suganthi said no major arrests were made except for Nirmala Devi herself, despite alleged “high-profile involvement”.

 

The risks of complaining

 

The Pollachi case is a telling reminder of a larger social problem: the dangers to women of even making a complaint.

 

“The body-shaming, the concept of purity and honour, play a major role in dissuading women from lodging a complaint,” said Kavitha Gajendran, an activist in Chennai.

 

“The stigma is unimaginable,” she said. “I came across a post on social media in which a man says he will not marry someone from Pollachi. I was shocked. This is a deep-rooted malaise and requires a strong will to be removed.”

 

About the racket, she observed: “That they believed they could earn handsome money by using women this way is itself a sign that something is deeply flawed in our society.”

 

“Children have to be able to open up to their parents without fear of the stigma, or of being forced out of schools or colleges. We also need sex education in schools,” Gajendran said. “We have to change the narratives around victimisation,”

 

Kavitha Muralidharan is an independent journalist.

 

 

source: The Wire

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Rajiv Gandhi Assassination: To Uphold Justice is to Release the Seven Convicts https://dev.sawmsisters.com/rajiv-gandhi-assassination-to-uphold-justice-is-to-release-the-seven-convicts/ https://dev.sawmsisters.com/rajiv-gandhi-assassination-to-uphold-justice-is-to-release-the-seven-convicts/#respond Mon, 11 Mar 2019 12:53:33 +0000 https://sawmsisters.com/?p=2125 CHENNAI, India—The seven convicts in the Rajiv Gandhi assassination case have already spent 28 years in jail and the campaign to release them cannot be dragged on any further.   The Supreme Court commuted their death sentences to life terms and said the state has the power to release them. The Tamil Nadu cabinet passed […]]]>

CHENNAI, India—The seven convicts in the Rajiv Gandhi assassination case have already spent 28 years in jail and the campaign to release them cannot be dragged on any further.

 

The Supreme Court commuted their death sentences to life terms and said the state has the power to release them. The Tamil Nadu cabinet passed a resolution to release them, despite pressure from the Centre. Each legal hurdle has been crossed, yet their release continues to be uncertain. After nearly three decades, the justice the convicts deserve is lying on the governor’s desk, waiting for his signature.

 

Whenever their release is advocated, powerful voices vociferously protest, saying they are “murderers” undeserving of freedom or mercy. They forget that we live in a civilized world that believes in basic rights for convicts and in which the purpose of incarceration is reform of the prisoner.

 

Unopened files, fables and buried truths have made the case one of the country’s most mysterious. The national media hardly covers it. Forgetting is in people’s nature, and can only be countered with repeated reminders.

 

Since it started, the case has bred confusion. Questions over the identities of those behind the belt bomb that Dhanu activated, along with several others, remain unanswered. The Jain Commission’s 1997 report is proof enough of the complexity of the case. The report mentioned influential names and demanded that they be probed. But the CBI never took it up. Several important papers and documents got “lost”. The controversial godman Chandraswami died without being interrogated. A 1999 letter from former Madhya Pradesh chief minister Arjun Singh to the then-home minister L.K. Advani raising several doubts over the CBI inquiry is further proof of foul play.

 

In the letter, Singh demanded the multi-disciplinary monitoring committee should investigate angles beyond the 26 persons accused of the crime by the SIT.  He also raised questions about weapon procurement and the exchange of money.

 

Those concerns were buried in secret files and the CBI concluded its probe by scapegoating seven ordinary Tamils – Murugan, Santhan, Perarivalan, Nalini, Ravichandran, Robert Paes and Jayakumar. Several Tamil and Dravidian movements protested against the injustice. Yet, the CBI did not investigate further.

 

Former investigating officer Thyagarajan filed an affidavit about the error while recording Perarivalan’s statement. Ragothaman, who led the investigation, has said in his book that the identity of the belt bomb’s maker was never ascertained.

 

The fact is that the investigation could never find the real culprits. While this continues to be an unforgivable blot on the Indian law enforcement and criminal justice system, the official silence that has accompanied the Supreme Court’s ruling that the state government is empowered to release the convicts is no less unpardonable.

Both Rahul Gandhi and Priyanka Gandhi Vadra have said they have no objection to their release; they have ‘forgiven’ them. But it is now common to get the families of those killed along with Rajiv Gandhi to speak out against the release. Those who follow the case closely will realize that the police establishment is behind this.

 

Would the police, government, judiciary or civil society take note if the families of those killed in the Mumbai blasts demand Sanjay Dutt’s permanent incarceration? What would happen if every affected party starts making such demands?

 

The case is not discussed very widely beyond Tamil Nadu. The general opinion is that Rajiv Gandhi was killed by seven Tamils and hence they deserve an unending lesson. Every punishment has a time frame. Our system is not designed to see punishment as retributive – the aim is to give the person a chance at reform. A civilized society does not aim to harass endlessly.

 

The Supreme Court did not condemn the convicts to prison until death. In the case of Gopal Godse, convicted for his role in the assassination of Mahatma Gandhi and sentenced to life, the then Congress government released him in 1964. The Central government’s decision to not forgive the seven convicts in the Rajiv case naturally leads one to make inferences about the social background of Godse vis-à-vis the seven convicts.

 

The conditions for the premature release of life convicts are based on their conduct, not the nature of the crime. The seven convicts have maintained good conduct for 28 years. Perarivalan did not just finish many certificate courses in jail, he also helped educate other inmates and maintained the jail library. Under such circumstances, caste comparisons between Sanjay Dutt, who was released on account of good conduct in a case related to the killing of hundreds, and the seven convicts, becomes inevitable.

 

Could it be that as far as the release of convicts goes, good conduct is not important for our government? And that a person’s caste and social background play a greater role?

 

It has been six months since the resolution passed by the Tamil Nadu cabinet. The governor’s approval remains the only hurdle. This approval is only a matter of bureaucratic ritual.

 

The governor perhaps considers himself more powerful than the cabinet. Former chief minister J. Jayalalithaa twice announced the release after the Supreme Court commuted their sentences. On both occasions, the Centre played spoilsport. It said the case was still in court. With the case concluded, it had no reason to procrastinate. However, it is using the governor to that end.

 

Since January 24, Perarivalan’s mother, Arputham Ammal, has been demanding that the governor break his silence and release the seven convicts. She is 71 years old. In the last one-and-a-half months, she has visited 22 districts. To mark six months of the Supreme Court judgment, she has announced a protest on March 9. Tamil Nadu could be on the boil – just as it was in 2011.

 

Perarivalan has brought the case to where it stands by waging a straightforward legal battle. The release of the seven convicts is the only option available to the powers-that-be. Human rights cannot continue to be crushed for political reasons. The AIADMK, in alliance with the BJP now, has no other recourse. Every moment of silence earns deeper resentment from the public.

 

In the name of justice, the convicts must be released. Tamil Nadu will not forgive the further continuation of this travesty.

 

(Translated from Tamil from Kavitha Muralidharan.)

(Article originally published by www.thewire.in )

 

 

source: Sikh24.com

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Activist Goes Missing Hours After Incriminating Top Cops in Thoothukudi Massacre https://dev.sawmsisters.com/activist-goes-missing-hours-after-incriminating-top-cops-in-thoothukudi-massacre/ https://dev.sawmsisters.com/activist-goes-missing-hours-after-incriminating-top-cops-in-thoothukudi-massacre/#respond Wed, 20 Feb 2019 07:11:52 +0000 https://sawmsisters.com/?p=1934 A video released by the environmental activist a few days before he went missing from a train while travelling to Madurai from Chennai, S. Mugilan says the “shooting was well planned”.   Chennai: Two days after environmental activist S. Mugilan allegedly went missing from a train while travelling to Madurai from Chennai, the Madras high court […]]]>

A video released by the environmental activist a few days before he went missing from a train while travelling to Madurai from Chennai, S. Mugilan says the “shooting was well planned”.

 

Chennai: Two days after environmental activist S. Mugilan allegedly went missing from a train while travelling to Madurai from Chennai, the Madras high court has directed the Chennai police commissioner and the SPs of Villupuram and Kanchipuram to respond by February 22 to the habeas corpus petition filed by human rights defender and People’s Watch founder Henri Tiphagne.

 

Expressing his concern over the missing activist, Henri Tiphagne said, “The Villupuram police have denied arresting him in the court. In the backdrop of the Supreme Court judgment on Sterlite on Monday, we are really worried that Mugilan is in serious danger now.”

 

The Supreme Court had set aside the NGT order allowing Sterlilte to reopen on account of maintainability and had asked Sterlite to approach the high court.

 

Days before the judgment, on February 15, Mugilan had met journalists in Chennai to release a documentary – Koluthiyathu Yaar? Maraikkapatta Unmaigal (Who burnt it? The Hidden Truths).

 

In the video, he incriminates the Thoothukudi police of having orchestrated the shooting of anti-Sterlite protestors on May 22 last year. Putting together video clippings from various sources, Mugilan says the ‘shooting was well planned’ by the police and he accused IPS officers Shailesh Kumar Yadav and Kapil Kumar Saratkar of orchestrating it.

 

Hours later, after boarding a train to Madurai from Chennai, Mugilan went missing. His phone was reachable till 1.45 am on February 16, but since then, it has been switched off.

 

Mugilan has not reached Madurai as planned, and activists believe he may have been illegally detained by the police.

 

Meeting reporters at Thanjavur today, MDMK leader Vaiko expressed fear that Mugilan could havebeen  killed in an encounter or detained illegally. “The Tamil Nadu police and Sterlite administration should be held responsible” he said.

 

A picture showing a sniper shooting from atop a vehicle at the crowd on May 22, 2018. Credit: Twitter

Mugilan, an activist with the Tamil Nadu environmental protection movement, has been one of the most vociferous voices on environmental issues in the state. He has been in the forefront of various struggles, including against illegal sand quarrying, Koodankulam, for Cauvery river and Jallikattu. He has been facing over 15 cases including sedition.

 

Mugilan was arrested under 13 cases related to anti Koodankulam struggle in September 2017, shortly after he took part in a struggle against Sterlite in Thoothukudi. He was released in September 2018 after his lawyer obtained bails in all the cases.

 

Mugilan’s associates say there has been a precedent. “In March 2012, when he was struggling against Koodankulam plant, Mugilan he was illegally picked up by police for three days and then let off,” one said, asking not to be named.

 

Even at the press meet on February 15, Mugilan had voiced his fear that by releasing the video ‘evidence’, he was putting his life in danger.

 

In the 46-minute video, Mugilan seeks to establish that the ‘police’ had used a huge iron ladder to destroy two CCTV cameras prior to the shooting.

 

He says that Shailesh Kumar Yadav “had seen the iron ladder while inspecting, yet said nothing about it”. Mugilan also says the police had deliberately directed the protesting crowd towards the direction where there where now no CCTV cameras. Mugilan also seeks to establish that the protestors had not committed any arson, as had been claimed by administration as the reason for firing.

 

In the video, Mugilan also demands that the one-member commission to enquire into the shooting should file its interim report and that the autopsy reports of those killed in the shooting be released immediately. He has also demanded the arrests of the police officers concerned.

source: The Wire

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What Tamil serials teach us about women, weddings, and wickedness https://dev.sawmsisters.com/what-tamil-serials-teach-us-about-women-weddings-and-wickedness-2/ https://dev.sawmsisters.com/what-tamil-serials-teach-us-about-women-weddings-and-wickedness-2/#respond Thu, 14 Feb 2019 05:11:11 +0000 https://sawmsisters.com/?p=1833 Here’s one thing almost every serial follows: For some reason, heroines switch to sarees after marriage, even if they have to go to medical colleges to continue their education. Watching Tamil serials can be a spiritually elevating experience. It can leave you numb, emotionless and stoic. There are women who can make your own problems […]]]>

Here’s one thing almost every serial follows: For some reason, heroines switch to sarees after marriage, even if they have to go to medical colleges to continue their education.

Watching Tamil serials can be a spiritually elevating experience. It can leave you numb, emotionless and stoic. There are women who can make your own problems appear much smaller. And then there are women who will make the offenders you are reporting on look holy.

 

Tamil serial terrain is not all that unfamiliar to someone like me. Ever since Tamil channels started airing serials, portrayal of women has always vacillated between two extremes – either an epitome of sacrifice, or the personification of evil. Over two decades since Tamil serials started capturing the imagination of the middle classes, little or nothing has changed. Perhaps they have gone from bad to worse. And then there are patterns – some of which travel across channels. Let’s look at some of them:

 

Weddings cannot happen without some drama: Sometimes, they don’t happen despite the drama. And sometimes, the drama continues even after the wedding. In most cases, including Nenjam Marappathillai (Vijay TV), Raja Rani(Vijay TV), Aranmanai Kili (Vijay TV), the hero and the heroine get married forced by circumstances. And eventually, they fall in love.

 

Not that other channels lag behind with this trope. In the hugely popular Sembaruthi (Zee Tamil), the wedding again happened amid drama, with the hero tying the knot to the domestic worker he is in love with, hoodwinking his mother. In Kanmani (Sun TV), the heroine’s wedding is stopped twice – both times after some drama. In Priyamanaval (Sun TV), the drama continues after the wedding – bride Selvi’s family comes to know that groom Kumar’s brother faked horoscopes to get them married, and the couple continue to live separately.

 

Perpetuating hierarchies: Serials encourage liberal use of degrading terms like Velaikkari (to refer to a domestic worker) even if the domestic worker has graduated to playing heroine. In Raja Rani, hero Karthik is forced to get married to the domestic worker Semba and after some ice-breaker episodes, the couple fall in love. Yet Semba continues to call Karthik Chinnaiya (junior master). In Sembaruthi, Aadhi falls in love the domestic worker Parvathi. Throughout their relationship, Parvathi calls him Periaiah (senior master). In Aranmanai Kili, Jaanu is forced to marry Arjun – the physically disabled son of her father’s employer Meenakshi. She calls him sir, sleeps in the kitchen, and continues to wait for his acceptance, at his beck and call.

 

The Veetla Eli Veliyila Pulisyndrome: In the 1991 film Veetla Eli Veliyila Puli (A mouse in the house, but a tiger outside) Janakaraj is a henpecked husband and yet at office, he is seen as a terrorising boss. Several heroines in Tamil serials seem to incurably suffer from that syndrome. All it takes is a whiff of fresh air to bring out the tigers in them.

 

Aranmanai Kili’s heroine Jaanu would suffer innumerable abuses at home silently without any retaliation, yet on the streets she wouldn’t stand by as a poor old man is hit by an arrogant woman in a car. Picking up a fight, Jaanu ensured that the arrogant woman not only apologised but also paid the old man for his medical expenses. Bhagya Lakshmi in Lakshmi stores (Sun TV) will do all the work at home, silently suffering the insults heaped on her by her sister-in-law, yet outside home, she is a fighter who would expose the antagonist Union Minister. (Though of course, of late she has been showing some sign of rebellion).

 

The weird ways of wickedness: From stopping weddings to plotting murders, the evil women of Tamil serials are capable of doing just about anything. In Sembaruthi, the antagonist kidnaps the heroine (Parvathi), keeps her in a temple, and disrobes her so she would not escape. Earlier there was a murder attempt on Parvathi by the same woman – which she miraculously escapes. In Nenjam Marappathillai, antagonist Sathya plots various ways to take revenge on heroine Saranya for marrying her ex-boyfriend Vikram, and that includes setting up a rowdy to kill her. Aranmanai Kili’s Durga plots to take revenge on her aunt Meenakshi in ever so many ways including plotting against her son Arjun’s wedding. Typically, these wicked women dress well and stay at home, sometimes they go to sleep with their heavy jewellery and make up intact.

 

Stealing jewellery and incriminating the heroines, just so they go to jail – is something very common in Tamil serials. However, the promo of a more recent serial Selva Magal (Sun TV), went a step further: a woman is seen wrapping a snake in a bridal sari so that the heroine will be killed, and her daughter can then be married to the hero. Don’t ask me if I ventured to see the actual serial though.

 

Ancient ideas and surviving myths: Typically, heroines switch to sarees after marriage, even if they have to go to medical colleges to continue their education. It is a blasphemy for men to enter kitchens – occasionally they can if their spouses are unwell – and that is an act for which the wives have to be eternally grateful. In Ponnukku Thanga Manasu (Vijay TV), the heroine Divya from a lower middle class background, is married to a fairly rich Prashanth, only to be constantly harassed for dowry by her arrogant mother in law Sethu Lakshmi. She wouldn’t dare file a police complaint or leave the house, lest she lose her husband.

 

In Aranmanai Kili, Jaanu resorts to Ayurveda to cure her husband’s disability. The Ayurveda exponent puts her through a series of rigorous ways of worship as part of the ‘treatment.’ Such ‘medical’ myths are not uncommon in Tamil serials. Athipookal, a serial aired on Sun TV from 2007 to 2012, was about surrogacy with a poor understanding of the process.

 

Dare watch any of these?

 

Kavitha Muralidharan is a journalist with two decades of experience, writing on politics, culture, literature, and cinema.Views expressed are the author’s own.

 

source: The News Minute

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In Tamil Nadu, A 400-Year-Old Tradition Of Shadow Puppetry Struggles To Survive https://dev.sawmsisters.com/shadow_puppetry/ https://dev.sawmsisters.com/shadow_puppetry/#respond Thu, 07 Feb 2019 06:24:45 +0000 https://sawmsisters.com/?p=1744 On 1 February, Driver’s Colony at Korukkupet in North Chennai – a space where local political meetings are frequently held – wore an entirely different colour. It was witness to a medley of performances, including Bharatanatyam by the Chathurlakshana School of Fine Arts; Gaana and dance performance by Dancing Dolls; and the story of Korukkupet presented in […]]]>
On 1 February, Driver’s Colony at Korukkupet in North Chennai – a space where local political meetings are frequently held – wore an entirely different colour. It was witness to a medley of performances, including Bharatanatyam by the Chathurlakshana School of Fine Arts; Gaana and dance performance by Dancing Dolls; and the story of Korukkupet presented in a song by the youth of Arunodhaya. These performances were part of the finale of the Chennai Kalai Theru Vizha.

For many in the neighbourhood, it was an experience worth cherishing. A local woman had come after sending her kids to their tuition classes. “I was just curious,” she said matter-of-factly. There was another one, begging her seven-year-old son, who was complaining of leg pain, to stay back a little longer. “It is not always that we get to see such performances,” she told him. Some had sauntered in, drawn by the different kind of sounds from the stage.

Tholpavai_Pic1

What really stood out among the medley of performances was Thol Pavai Koothu (shadow puppetry) by Kalavalarmani B Muthuchandran and his troupe from Kanyakumari district. A dying art in Tamil Nadu, Thol Pavai Koothu has very few practitioners — Muthuchandran and his family being foremost among them.

An ancient form of story-telling, Thol Pavai Koothu involves using figures made of goatskin to enact a story. “That is where the name is derived from. In Tamil, thol means skin,” Muthuchandran says.

His one-hour performance had a wide-ranging arch — from a variety of scenes from the Ramayana, to contemporary issues like the importance of not using plastic. Behind the translucent screen, Muthuchandran deftly used his hands to move the puppets around and bring his various characters to life. His effortlessness in enacting scenes that appear difficult, including the viswaroopam of Hanuman when he meets Sita in Ashokavanam, or later, of a man climbing a palm tree, speaks volumes about his expertise in Thol Pavai Koothu.

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“It is not something you learn in school. I have learnt it from my father Balakrishna Rao, I have seen him making the puppets, and giving voices to them. I have learnt it from a distance while accompanying him on his shows, doing music,” he says.

Muthuchandran’s performance was interspersed with a liberal dose of humour, often sending the audience into splits. For many youngsters, it was a first-of-its-kind experience.

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Thol Pavai Koothu is 400-year-old folk art. We have been doing it for over 15 generations. I have been able to trace it up to six generations,” Muthuchandran explains, listing the names of his forefathers. Up until three decades ago, his family had been nomadic. “I decided to build a house in Kanyakumari and settle down because I want my son to study. It was difficult for us to get an education since we kept moving from one place to another. I did not want my son to meet with the same fate.” Exactly 28 years ago, Muthuchandran decided that his family needed a home they could call their own.

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His family’s story dates back to the pre-British era of the Thanjavur Sarabhoji rulers. “We migrated from Maharashtra during their period because the kings were patrons of folk art. But after the British took over, we were left in the lurch and many families like ours had to leave Thanjavur.” The families spread across Tamil Nadu, often travelling from one place to another in search of work.

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Muthuchandran’s is among the very few families today to preserve the art of Thol Paavai Koothu. “My ancestors toured throughout Tamil Nadu, camping at a village to do a performance and then moving to another. Today, from Kanyakumari, I travel the length and breadth of Tamil Nadu. But I am afraid I will be the last in my family. My son is pursuing a Bachelor’s degree in History, I’m not certain what he plans to do.”

Tholpavai Koothu is a hugely demanding art. It requires an entire family to be involved, in order to put up a decent performance. “What you see on stage is the final act of a very long process.”

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The arduous process begins with procuring goatskin and treating it for days. “We either keep it immersed in water and let it lie around for a couple of days. After this treatment, the goatskin turns dry, into something like paper and we draw and make puppets out of it,” Muthuchandran explains. The process typically takes about a week. While it is easy to make puppets for a show like the Ramayana, which Muthuchandran has learnt from his father, he employs his creativity to make puppets for contemporary subjects. Muthuchandran can also speak in 28 to 31 different voices to suit each character on stage.

Tholpavai_Pic9

“It is not always easy to establish the difference between one character and another through voice. But typically, only one person will be behind the screen doing it. I always handle all the male voices needed for the show. My family members help in coordinating the music and other elements.”

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Muthuchandran believes the contemporariness he has managed to inculcate in his art has helped it survive.

“There were times when my ancestors would do performances revolving around the Ramayana that would last for three hours or more. Today, it is not possible. People are neither interested in the Ramayana, nor in having such long performances.”

He draws from the stories he hears told by people he meets on his travels. “I go to villages where I see a family finding it tough because the head of the family is an alcoholic. I speak to people and find out why plastic is harmful. My parents are my first gurus, but I have also been fortunate enough to be guided by AK Perumal, a scholar in folk arts. He has often helped me incorporate contemporary subjects into my performances, giving me material and ideas.”

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But the contemporariness notwithstanding, Thol Pavai Koothu has its own set of challenges as a full-time occupation. “We hardly get four to five chances to perform each month. This is not enough to sustain a family as big as ours,” Muthuchandran says. The fear of family tradition being abandoned after him is palpable in his voice. “I can understand if my son does not want to pursue this art,” he says, even as a young girl walks up to him, to thank him for the performance. “I have never seen something like this,” she tells him. “But this is why I want him to pursue it, at least part-time,” says Muthuchandran.

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All photographs taken by G Rajaram

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 source: FirstPost
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