TAMIL NADU – SAWM Sisters https://dev.sawmsisters.com South Asian Women in Media Thu, 07 Feb 2019 06:24:45 +0000 en-US hourly 1 https://wordpress.org/?v=6.6.1 https://dev.sawmsisters.com/wp-content/uploads/2022/08/sawm-logo-circle-bg-100x100.png TAMIL NADU – SAWM Sisters https://dev.sawmsisters.com 32 32 In Tamil Nadu, A 400-Year-Old Tradition Of Shadow Puppetry Struggles To Survive https://dev.sawmsisters.com/shadow_puppetry/ https://dev.sawmsisters.com/shadow_puppetry/#respond Thu, 07 Feb 2019 06:24:45 +0000 https://sawmsisters.com/?p=1744 On 1 February, Driver’s Colony at Korukkupet in North Chennai – a space where local political meetings are frequently held – wore an entirely different colour. It was witness to a medley of performances, including Bharatanatyam by the Chathurlakshana School of Fine Arts; Gaana and dance performance by Dancing Dolls; and the story of Korukkupet presented in […]]]>
On 1 February, Driver’s Colony at Korukkupet in North Chennai – a space where local political meetings are frequently held – wore an entirely different colour. It was witness to a medley of performances, including Bharatanatyam by the Chathurlakshana School of Fine Arts; Gaana and dance performance by Dancing Dolls; and the story of Korukkupet presented in a song by the youth of Arunodhaya. These performances were part of the finale of the Chennai Kalai Theru Vizha.

For many in the neighbourhood, it was an experience worth cherishing. A local woman had come after sending her kids to their tuition classes. “I was just curious,” she said matter-of-factly. There was another one, begging her seven-year-old son, who was complaining of leg pain, to stay back a little longer. “It is not always that we get to see such performances,” she told him. Some had sauntered in, drawn by the different kind of sounds from the stage.

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What really stood out among the medley of performances was Thol Pavai Koothu (shadow puppetry) by Kalavalarmani B Muthuchandran and his troupe from Kanyakumari district. A dying art in Tamil Nadu, Thol Pavai Koothu has very few practitioners — Muthuchandran and his family being foremost among them.

An ancient form of story-telling, Thol Pavai Koothu involves using figures made of goatskin to enact a story. “That is where the name is derived from. In Tamil, thol means skin,” Muthuchandran says.

His one-hour performance had a wide-ranging arch — from a variety of scenes from the Ramayana, to contemporary issues like the importance of not using plastic. Behind the translucent screen, Muthuchandran deftly used his hands to move the puppets around and bring his various characters to life. His effortlessness in enacting scenes that appear difficult, including the viswaroopam of Hanuman when he meets Sita in Ashokavanam, or later, of a man climbing a palm tree, speaks volumes about his expertise in Thol Pavai Koothu.

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“It is not something you learn in school. I have learnt it from my father Balakrishna Rao, I have seen him making the puppets, and giving voices to them. I have learnt it from a distance while accompanying him on his shows, doing music,” he says.

Muthuchandran’s performance was interspersed with a liberal dose of humour, often sending the audience into splits. For many youngsters, it was a first-of-its-kind experience.

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Thol Pavai Koothu is 400-year-old folk art. We have been doing it for over 15 generations. I have been able to trace it up to six generations,” Muthuchandran explains, listing the names of his forefathers. Up until three decades ago, his family had been nomadic. “I decided to build a house in Kanyakumari and settle down because I want my son to study. It was difficult for us to get an education since we kept moving from one place to another. I did not want my son to meet with the same fate.” Exactly 28 years ago, Muthuchandran decided that his family needed a home they could call their own.

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His family’s story dates back to the pre-British era of the Thanjavur Sarabhoji rulers. “We migrated from Maharashtra during their period because the kings were patrons of folk art. But after the British took over, we were left in the lurch and many families like ours had to leave Thanjavur.” The families spread across Tamil Nadu, often travelling from one place to another in search of work.

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Muthuchandran’s is among the very few families today to preserve the art of Thol Paavai Koothu. “My ancestors toured throughout Tamil Nadu, camping at a village to do a performance and then moving to another. Today, from Kanyakumari, I travel the length and breadth of Tamil Nadu. But I am afraid I will be the last in my family. My son is pursuing a Bachelor’s degree in History, I’m not certain what he plans to do.”

Tholpavai Koothu is a hugely demanding art. It requires an entire family to be involved, in order to put up a decent performance. “What you see on stage is the final act of a very long process.”

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The arduous process begins with procuring goatskin and treating it for days. “We either keep it immersed in water and let it lie around for a couple of days. After this treatment, the goatskin turns dry, into something like paper and we draw and make puppets out of it,” Muthuchandran explains. The process typically takes about a week. While it is easy to make puppets for a show like the Ramayana, which Muthuchandran has learnt from his father, he employs his creativity to make puppets for contemporary subjects. Muthuchandran can also speak in 28 to 31 different voices to suit each character on stage.

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“It is not always easy to establish the difference between one character and another through voice. But typically, only one person will be behind the screen doing it. I always handle all the male voices needed for the show. My family members help in coordinating the music and other elements.”

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Muthuchandran believes the contemporariness he has managed to inculcate in his art has helped it survive.

“There were times when my ancestors would do performances revolving around the Ramayana that would last for three hours or more. Today, it is not possible. People are neither interested in the Ramayana, nor in having such long performances.”

He draws from the stories he hears told by people he meets on his travels. “I go to villages where I see a family finding it tough because the head of the family is an alcoholic. I speak to people and find out why plastic is harmful. My parents are my first gurus, but I have also been fortunate enough to be guided by AK Perumal, a scholar in folk arts. He has often helped me incorporate contemporary subjects into my performances, giving me material and ideas.”

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But the contemporariness notwithstanding, Thol Pavai Koothu has its own set of challenges as a full-time occupation. “We hardly get four to five chances to perform each month. This is not enough to sustain a family as big as ours,” Muthuchandran says. The fear of family tradition being abandoned after him is palpable in his voice. “I can understand if my son does not want to pursue this art,” he says, even as a young girl walks up to him, to thank him for the performance. “I have never seen something like this,” she tells him. “But this is why I want him to pursue it, at least part-time,” says Muthuchandran.

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All photographs taken by G Rajaram

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 source: FirstPost
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Education, an uphill task for the tribals of Udumanparai https://dev.sawmsisters.com/education-an-uphill-task-for-the-tribals-of-udumanparai-2/ https://dev.sawmsisters.com/education-an-uphill-task-for-the-tribals-of-udumanparai-2/#respond Sun, 14 Jan 2018 12:41:28 +0000 http://www.sawmindia.com/?p=1003 For children of the Kaadar community in the Western Ghats, getting an education means leaving home at the age of six to stay at residential schools. Deep in the jungles of the Western Ghats near Valparai, over a 100 km from Coimbatore, is the small tribal hamlet of Udumanparai. The inhabitants of the village, the […]]]>

For children of the Kaadar community in the Western Ghats, getting an education means leaving home at the age of six to stay at residential schools.
Deep in the jungles of the Western Ghats near Valparai, over a 100 km from Coimbatore, is the small tribal hamlet of Udumanparai. The inhabitants of the village, the Kaadar community, live in literal isolation, largely ignored by the State. However, they are determined that their children should get proper education at any cost.

“We cannot afford to compromise on education, especially in these times,” says Kamaraj, a tea estate worker and young father of two. His older child is away at boarding school but the younger one, Kasturi, 8, is at home because she is ill. But she happily plays in a stream nearby. “She has to go back to school on Sunday evening. How will she recover if she plays in the water,” he asks, as he keeps calling her to come in. When Kasturi does come, she makes sure to snuggle up to her grandmother to avoid getting scolded by her father. At his prompting, she begins to pack for school, spending an extra bit of time showing off a yellow frock she got from school. “They gave this to me in school before Deepavali. This is my favourite dress. I will wear it next Sunday,” she says.

From Mr. Kamaraj’s house, it takes more than an hour’s walk through the rubble-filled and rough pathways inside tea estates, followed by a 45-minute drive to reach Valparai, where the Nesam Trust-Sarva Siksha Abhiyan Residential School for Tribal Children is located. Kasturi, her 10-year-old brother Yuvaraj, and almost all other children of Udumanparai are enrolled in that school.

Education, an uphill task for the tribals of Udumanparai

With no school in the hamlet, its residents have to choose between the Nesam Trust’s school and the Government Tribal Residential Middle School, also in Valparai, to enrol their children when they turn six. Almost all residents prefer the Trust school, says Mallika, a resident, “because the government school does not treat the children well and does not have facilities.”

The children come home only thrice a year — 20 days during the summer vacation in May and four days each during Deepavali and Pongal. Parents are allowed to visit their children on weekends.

Kasturi enjoys going to school though. “I have friends, I have toys, swings and we also get tasty food there,” she says. At the school, the children learn maths, science, English and social studies, and attend vocational training classes. On weekends, they wear their best outfits and spend the day playing or completing their homework. “Mostly we only play,” she giggles.

Mr. Kamaraj however looks glum as he watches her pack. “She came home for four days during Deepavali, and then we had to bring her back again because she fell ill. I don’t feel like sending her, but we have no option. Also, she likes it more there,” he says, gently boxing her head, even as Kasturi nods cheerfully.

Children from various tribes across Valparai taluk in S.S.A. Nesam Trust residential school for tribal children.
Children from various tribes across Valparai taluk in S.S.A. Nesam Trust residential school for tribal children.

“Often, once a child goes home, parents do not let them return. When we try to get them back, the children run and hide in the forest. So we have to tighten the rules, mainly for their benefit,” says Senthil Kumar, chairman of the Nesam Trust school. He adds that most of the children are bright and show great interest in extracurricular activities. Many of them seem to want to become Indian Forest Service officers or do social work to help their people, he says. “With the right guidance, they will excel,” he adds.

However, for the Kaadars, separation from their children at an early age and for prolonged periods is painful. “I wish there were better educational facilities in the hamlets. It’s very difficult to be away from our children,” says S. Sasikala, an anganwadi teacher and a resident of Nedungundram, another Kaadar hamlet, which takes an hour’s drive plus an hour’s walk to get to.

Unlike Udumanparai, Nedungundram has a single teacher government primary school. Though set up barely five years ago, the building is dilapidated, the walls are damp and it does not have power connection.

“The students are still stuck in the basics,” says Aishwarya, whose seven-year-old daughter was studying in the school but was later moved to the Nesam Trust school. “My husband and I had a huge fight over this. I didn’t want to send her away to the hostel because she is so young and needs me. But I finally gave in, else she too would have become a drop-out like me,” she says.

The residents want the government to develop an alternative approach so they can watch their children grow up. Their suggestion: appoint educators who will live and teach in the hamlet on weekdays, and simultaneously train graduates from the community, who could in due course take up the job. “In any ordinary family, a child is taken care of by parents and family members at least till age 10. But the moment our child turns six, we have to send them away,” Ms. Aishwarya says.

Education, an uphill task for the tribals of Udumanparai

Fr. K.J. Kumar, director, Social Watch-Tamil Nadu, an organisation that works for the welfare of tribal children, shares this view. Training should be provided to members of the community, and primary schooling could be made an extension of the anganwadi centre by building an extra classroom with common facilities like kitchen, play area and washrooms. And till such a facility is set up, transport arrangements must be made for the children free of charge, he says.

A house in Nedungundram is the anganwadi from where Ms. Sasikala teaches five children below the age of five. While she enjoys teaching and playing with the children, a lot of her time is spent figuring out how to purchase supplies. She receives ₹100 every month from the government, which she uses to buy dal, vegetables and condiments for the children. “But when prices increase, I need to pay from my own pocket. I also need to pay for the transport of the goods,” she says.

An official of the Forest Department says it is difficult to maintain schools in the tribal hamlets as teachers fear going there due to animal movement. As an example, he cites the instance of a primary school in Kallar settlement, another Kaadar hamlet, 6 km from the main road, which was shut down due to similar reasons. “The school had only one teacher and one student, it was in a precarious location. But it had to be closed down, also because most parents did not want to send their children to schools,” the official says.

Lack of schools is one of the many issues the Kaadars face. The lack of proper roads, electricity, health care facilities and prenatal care for pregnant women are complaints that crop up.

“Ambulances cannot come here because there are no roads. It is especially difficult for pregnant woman,” says Radha of Udumanparai, recalling an incident when her friend, who was eight months pregnant, had to be carried in a cradle for six kilometres to the nearest hospital.

“The path we take is so narrow that even one wrong step could cause serious injury, or even death,” she says, pointing to a deep valley where a river flows.

The lack of roads also affects the old who no longer can walk an hour to get their monthly old age pension. “Officials from the forest department used to deliver it to us before, but now, since the money is deposited in our bank accounts, we need to go to Valparai every time to affix our signature and get our money. I haven’t been able to get my last month’s due since I’m not able to walk,” says 70-year-old Srinivasan of Udumanparai.

Mr. Srinivasan and other residents continue to live in darkness. Ten years ago, the local authorities set up two solar panels in the area, but they didn’t last. The residents do not have the money to repair it.

A recent study carried out by Social Watch says that the population of Kaadars in Tamil Nadu is nearly 600, all of whom live in the forests of Valparai, in six hamlets. Another 600 members of the community live in Kerala. Most of them work as marginal farmers, they also work in tea estates and as daily wage labourers and earn around ₹5,000 a month. So far, only four members of the community have managed to graduate — three of them are women. One is pursuing her post-graduation in Social Work.

“It has never been easy for us and it is a big thing that these children have even gone that far to live their dreams,” says 84-year-old K. Ganesan, one of the oldest members of the community. Mr. Ganesan recalls a time when they were more in harmony with their surroundings. “We were a self-sufficient lot. We grew ragi (a millet) and cholam (corn). But since the State’s policies changed, we had to stop our agricultural practices and our food habits have changed. Now we depend on ration shops, and keep falling sick,” he says.

Recently, the community was asked to relocate to the plains as part of the Central government-funded Project Tiger, aimed at creating safe spaces and protecting wildlife species. “They bluntly refused. They say that the forest is their home and as long as they live here, nothing would happen to the wildlife,” says a forest official.

Mr. Ganesan emphatically agrees. “We worship this forest. The moment we leave, the entire area will be exposed to outsiders and poachers. We will live here and guard it till our last breath,” he says.

This story was done as part of SAWM India – UNICEF Fellowship

Source: thehindu.com

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